April 8, 2017

Ghost In The Shell

This movie owes everything to The Matrix, Blade Runner, and Akira. What does it contribute to this genre besides terrific special effects and Scarlett Johansson?
There are some germs of good ideas here, but they don't go anywhere. I'd sum this up as a workmanlike leveraging of a well-known property, with a bankable movie star attached, financed through half a dozen global sources (I think I saw five production company or studio logos at the opening) with the ultimate goal to sell the feature to world audience.
Indeed, this does not resemble an American movie in any way and any success in the American market feels like a secondary concern to the producers. I don't have a problem with this - another action movie filled with white male Americans is tedious! Shell only includes two or three white men in speaking roles!
Based on all the TV commercials I only planned to see this on home video, but on this particular weekend I needed to get out of the house...and I couldn't find a showtime for Kong: Skull Island. My Stub Hubby grade: C-minus.

See Also on Stub Hubby \ The Dytopian Action Heroine Collection:

  • Aeon Flux [2005] "The secret history of the last city on Earth is a cool premise which offers limitless possibilities for a cerebral sci-fi examination of self and the human condition, but this potential is squandered on lots and lots of gunfire."
  • Ultraviolet [2006] "A fairly intriguing if cliched two-hour sci-fi shoot-em-up, where half an hour of interesting detail has been edited out"
  • Lucy [2016] "A thinking-person's superhero origin story...without the heroics"