I am a big fan of Edgar Wright, and I enjoy fast driving heist movies, so Baby Driver should have been a slam dunk.
Something about the movie just didn't click with me.
Maybe the movie is too self-indulgent? Wright has always tightly integrated pop and rock music into his movies, in a deeply thoughtful Scorsese method, but this obsession with music-as-soundtrack is foregrounded here. Baby listens to music on his earbuds all day long, and literally choreographs his getaways to specific songs.
The title walk-dance-lip sync sequence (perhaps an homage to Shaun's walk to the shop for a Cornetto in Shaun of the Dead?) isn't as charming as Wright hopes it will be.
My other problem with Baby Driver is Baby- he's an essentially passive protagonist, entangled with a Mob boss who won't let him quit driving.
Ironically the guy who specializes in escaping from crime scenes cannot escape from his career as a getaway driver. It was hard to emotionally engage with such a lame hero who's escape plan includes saying "no" a couple of times, glowering, and sneaking away in the middle of the night.
Maybe I would have liked it better if it were funnier- it was easily the least comic project I've seen from Edgar Wright yet, and I did not find the gun battles, fight scenes, or car chases as innovative as I hoped for.
(Somerville Theater Screen 1, by myself because the sitter fell through)