March 26, 2016

The Money Pit Is Well Shot

Unwinding and watching The Money Pit this weekend, I appreciated how well it is shot, especially compared to other Tom Hanks comedies of the 80s, like The Burbs.
For example, there's one clever shot in The Money Pit where Anna and Max are haggling over a painting Anna wants to sell to Max. They walk down a Manhattan sidewalk, cross Park Avenue and East 56th Street, and enter a Mercedes dealership. The whole shot is done in one take from inside the showroom picture window (see screenshots). I exclaimed to Emily "this is shot like a Woody Allen movie!" and I was more right than I knew:
The Money Pit was shot by legendary cinematographer Gordon Willis, who shot that extremely long take of Alvy (aka "Max") Singer and his friend Rob as they walk down a long stretch of East 66th Street in Annie Hall (12 blocks north and 9 years earlier).
Willis also shot a bunch more Woody Allen films, and some other famous movies, such as Klute, The Parallax View, Presumed Innocent, and The Godfather trilogy!
Meanwhile, I love The Burbs, but it's shot on Universal's "Wisteria Lane" back lot (of Desperate Housewives fame) and it looks like a overlit television show. Sure enough, it was shot by Robert M. Stevens, who has shot a handful of feature films, and a lot of television.


When the shot begins you can barely seen Anna and Max in the distance. Here they're crossing Park Avenue...

Stepping onto the sidewalk...

Entering the showroom...

...and into the Mercedes showroom, all in one shot.