December 31, 2005
December 29, 2005
December 16, 2005
Yes, the movie is three hours long. The movie starts pretty briskly: Renegade filmmaker Carl Denham (Jack Black) escapes New York on the SS Venture with his cast, crew, and screenwriter (Adrien Brody) before his studio can pull the plug on his production. Once on the boat headed for the South Pacific, we are stuck with subplot seasickness: Jackson introduces a completely unnecessary (and easily excised) coming-of-age subplot with a stowaway-turned-cabin boy (Jamie Bell, aka Billy Eliot at age 19) and the first officer (Evan Parke) who tries to teach him to become a man. WHO CARES! Did Peter Jackson find this cliche on the cutting-room floor of the 1933 film and decide to intergrate it into the new movie? All I know for sure is that the movie could have spared its omission.
The movie's violence and creepiness inch towards R-rated territory in two areas: The ruthless savage natives of Skull Island are truly spine-chilling and bile-raising, and in my opinion, cross the line between entertainment and unwatchable terror. Speaking of unwatchable, the bug sequence, where the expedition is trapped in a pit of giant locusts, maggots, spiders, and scorpions, was unwatchably disgusting. If I see this movie again, I will step out for some gummy worms from the concession before I have to watch men eaten by giant maggots (shudder).
By the time Kong has been lured into a chloroform-soaked trap, you truly understand why Ann Darrow is drawn to Kong, and begs the men to leave him alone: he may be 25 feet tall, but this gorilla cares more for this tiny blonde than any human ever could.
THEATER NOTES: I saw this with my friends Phil and (I think) Angus too. Picture this: Kong has escaped the theater and has been chased across midtown. He suddenly pauses in the middle of the street when he spots through the mist, Ann Darrow striding towards him. The soundtrack is nearly silent when...Phil's BlackBerry starts ringing! The BlackBerry is hidden away in one of Phil's coat pockets, and he can't find the right zipper, so in order to muffle the ringing as quickly as possible, he simply clutches the whole coat to his chest! We later discovered the caller was our friend Peter, who arrived late, to see if we wanted to meet for dinner.
December 11, 2005
December 2, 2005
However, great source material and a solid cast isn't enough. The characters are completely flat and passionless- Flux is supposed to be a cool-as-ice assassin, yet also on a vengeance trip at the same time. How to reconcile these two ideas? Director Karyn Kusama (Girlfight) doesn't figure it out. The secret history of the last city on Earth is a cool premise which offers limitless possibilities for a cerebral sci-fi examination of self and the human condition, but this potential is squandered on lots and lots of gunfire.
Bregna, the last city on Earth, is depicted as endless Brutalist poured concrete and modern gardens (my friend Marc asked 'was this shot at Government Center? Jack replied 'I think I saw Mayor Menino in one scene!'). The climactic gun battle takes place in a grove of cherry trees. I kept thinking "Bregna's arborist is gonna be pissed that you're shooting at all these nice trees!" In the end, this Aeon Flux is a boring shade of Logan's Run, Blade Runner, Dark City, and Minority Report. (AMC Fenway)
See Also on Stub Hubby \ The Dytopian Action Heroine Collection:
- Ultraviolet  "A fairly intriguing if cliched two-hour sci-fi shoot-em-up, where half an hour of interesting detail has been edited out"
- Lucy  "A thinking-person's superhero origin story...without the heroics"
- Ghost In The Shell  "A workmanlike leveraging of a well-known property"