Besides the ham-handed symbolism (yeah, we get it, Justin's poor and unrefined, and Martin is rich and polite!) the overbearing, overloud musical score made the movie feel twice as long as it should. The repeating theme sounded like Bernard Hermann's Vertigo- it made me dizzy and logy.
Director Anand Tucker (Hilary & Jackie) apparently has never been to Los Angeles before, and has never seen a movie set there either- the recurring helicopter shots of the clogged freeways are terribly cliched and stock, as if there was no other way to illustrate the locale of the movie. The establishing shot of Saks Fifth Avenue's exterior was exactly the same in each instance: How about a different angle, or different time of day?
I am hardly a follower of the Claire Danes oevure. Danes's films I have seen (on the big screen or TV) include Little Women, How To Make an American Quilt, Home for the Holidays, Romeo + Juliet, and Les Miserables. However, I was very taken with her performance: At the age of 26, Danes begins this movie a shopgirl and ends it a woman.(Kendall Square Cinemas) .